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‘A playground for degenerates’: The dark corners of an Australian streaming giant
Kick.com, the second largest livestreaming platform in the world, was created by an Australian billionaire. It’s increasingly known for content that crosses the line.
- by Patrick Begley
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I watched nothing but SBS On Demand for a week. Here’s what I learnt
The cost-of-living crisis is making it hard to justify paying for five different streaming services every month. Could I survive on just one free app?
- by Nell Geraets
‘None of us had a choice in this’: How these man-made chemicals will affect us for generations
A new Stan documentary explores the impact toxic man-made chemicals are having on all of us.
- by Michael Idato
Baby Reindeer’s victims pile up as internet sleuths hunt for ‘truth’
Despite creator and star Richard Gadd’s pleas, viewers of the hit Netflix series continue to try to identify the “real” people involved.
- by Karl Quinn
Heartbreak High is a global hit. So why aren’t there more Aussie shows like it?
Despite the series’ global runaway success, the future of rich Australian content remains on a knife edge.
- by Calum Jaspan
How Shogun became an unlikely streaming success
Subtitled fare is mainstream these days and audiences are flocking to foreign-language shows, including this swashbuckling, feudal-era Japanese drama.
- by Cameron Woodhead
Desire gaps are common in relationships. Here’s how to talk about them
The latest season of Heartbreak High is shining a light on asexuality and mismatched libidos.
- by Lauren Ironmonger
These tributes to the greatest composer of movie scores hit the right notes
The legacy of Ennio Morricone, who died in 2020, is captured in two recent documentaries, Ennio and Sergio Leone: The Italian Who Invented America.
- by Tom Ryan
Women in action films have the same backstory. Not for Elisabeth Moss
The star of Mad Men and The Handmaid’s Tale upends what you think you know about spy thrillers in new series The Veil.
- by Michael Idato